Hundreds of Montreal music fans pushed their way up the stairs into Theatre Fairmount on Wednesday night, eager to see MorMor (a.k.a. Seth N...

Dan Mangan's tender troubadour tunes have taken various forms over the years: warm 'n' cuddly folk (2009's Nice, Nice, Very Nice), cryptic a...

UK indie's current infatuation with post-punk has led to a proliferation of British men yelling over jagged guitar riffs. So the arrival of...

When I first got into Broken Social Scene, I thought I was too late. I was 21, just over midway through my undergrad, and quite frankly emba...

By the time Slow Pulp finished their set and left the stage to make way for Alvvays, a warm familiarity had set over the crowd at History on...

The 1975 are very seriously not serious about playing the role of a rock band. Since the UK quartet's Tumblr-core early days, they've worn t...

With little flair, Modest Mouse celebrated the 25th anniversary of their sophomore album, 1997's The Lonesome Crowded West, at Vancouver's C...

When Jessie Reyez spoke with Exclaim! back in September before the release of her second studio album, Yessie, her mandate was clear: she wa...

It's easy to overlook Radiohead's technical mastery, since their songs tend to rely on things like spine-tingling atmosphere and haunting me...

"Thank you for giving me my own vagina to climb into every night." This was Beth Orton's way of shouting out her sound tech for giving he...

Katie Crutchfield and Jess Williamson don't need each other, exactly. The music they make together as Plains isn't better than, or even part...