Ian Daniel Kehoe's music has always felt like a throwback. The multi-instrumentalist — known as a former member of Attack in Black and the d...

Integrating grunge, noise templates and avant-pop approaches, Good Sad Happy Bad (the new moniker for an updated Micachu and the Shapes, nam...

The eight songs that make up Leith Ross' debut EP were recorded in one afternoon, but it's a body of work that doesn't feel rushed in the sl...

A year after the National released their eighth album, I Am Easy to Find, two of their members are back in the spotlight again with high-pro...

Kathleen Goring's favourite place is her garden. This is important in understanding the sound of Kaigo Kioku Kyoku, the debut album by her g...

HEALTH have a knack for collaboration. Their music, meeting at some offbeat and danceable crossroad between noise, industrial and electronic...

For almost eight years, Montreal's Gulfer have been one of the most prominent math rock bands in a genre that has never been well-represente...

On Jenny Banai's sophomore album, couchwalker, she has proven herself one of the most gifted vocalists on the scene today. While she had alr...

In March 2020, the pandemic hit and Kevin Morby, like everyone else, had to stop what he was doing — prepping for another round of tour date...

Like a parcel of breakup roses compressed into a confetti cannon, Helena Deland's debut album is explosive, belaboured and totally intoxicat...

Every album that Jennifer Castle makes feels like a guidebook on how to live. On her previous two records released under her own name — 2014...